Giving Thanks

katia-photo-at-library.jpgIf you can read this, thank a teacher.

I am thankful I was not born a turkey.

With my luck, I would not have been the one pardoned at the White House this morning. I can see me now: nice and golden brown; a ton of stuffing between my legs. A freshly-sharpened carving knife on stand-by. Every eye is on my neck, breasts, and thighs. No thanks.

But I am thankful.

100_8006I am thankful for my true family, for great friends: old and new. I am thankful many of the flowering plants in my garden think it’s still summer. I am thankful for my neighbor Jude’s cat, Perdita Trouvé. She and our male cat, Gray, love each other. They’re not interested in making babies; they could not, even if they tried. They’re just good neighbors. They welcome and accept each other’s oddness. The world could learn something from them.

Baltimore, MD-4/8/15 - Reema Alfaheed, left, at home with her younger brother, Ahmed Alfaheed, 15, look at videos depicting the Iraq refugee camp near the border with Jordan, where they lived for six years after fleeing Baghdad. Amy Davis/Baltimore Sun Staff Photographer - #2383
Baltimore, MD-4/8/15 – Reema Alfaheed, left, at home with her younger brother, Ahmed Alfaheed, 15, look at videos depicting the Iraq refugee camp near the border with Jordan, where they lived for six years after fleeing Baghdad. Amy Davis/Baltimore Sun Staff Photographer – #2383

I am thankful for the opportunity to teach amazing students who come from war-torn countries, and still thrive. I get to use a part of my life to let hundreds of young people know how awesome they are—no matter what the critics say. I am thankful.

I am thankful for knowing how to read, and for writers who tell stories so juicy I curse the fact that I need sleep to live.

Felicie Montfleury 8/15/1921 - 4/1/2012
Felicie Montfleury 8/15/1921 – 4/1/2012

I am thankful I knew Felicie Montfleury, my Nenenn/Grandmother. She passed away three years ago, but our bond is stronger than ever. I understand her much better now. She had this notion that “Family, Love, and Loyalty” were action words meant to be conjugated in the present tense.

My only regret is that I didn’t bury my Nenenn in her signature talon-kikit stilettos. I can picture her now, skipping across the sky. I can see her colorful scarf fluttering in the breeze.

When I visited my Nennen’s grave a few days ago, I noticed the message chiseled on her neighbor’s shiny new headstone. The black and white photograph introduced me to the deceased.

20151123_111751_HDRThis lady, I.H.B.,  looks very much alive in the picture. Her kind face is pillow-soft. She gives the warmest hugs. She likes to cook. Thanksgiving Dinner is always at her place.  She is strict, but fair. She takes pride in knowing how to set a table properly. She wears talcum powder at night. Her housecoat is folded on the footboard.  She applies a light layer of Vaseline on her lips before going to bed–an old habit. She owns several bottles of perfume, but wears only Chanel No. 5.  That bottle is half full. She rolls her hair at night with sponge rollers: pink. She holds the rollers in place with a white mesh hairnet. She owns an alarm clock, but means to give it away.

I.H.B. wakes up before dawn. She makes breakfast: one egg, one slice of bread, and a cup of mint tea. She eats on China that is three times as old as she will be when she dies. She does not worry about dying someday. She understands death is a part of life. This is why she gives thanks every morning and night.

100_5174I.H.B. wears pantyhose, even in summer. She knows how to knit, but does not. She owns two raincoats and two umbrellas—in case someone else needs to borrow them. She treasures her old friends, many of whom she has not seen in decades.  She packs snacks in her purse, in case someone she meets needs something to eat.

She does not tighten her grip on her purse, when she walks past a group of loud loiterers dressed in saggy pants and black hoodies. The loiterers offer to help her carry her groceries. She does not need help; she  swims like a champion five times a week at the YWCA. She wants the loiterers to know she is not afraid of them. She wants them to know she trusts them. “Thank you, children,” she says.

The “children” are twice as tall as she is. They weigh fifty to one hundred pounds more than she does. The children say, “Yes, Ma’am.” They are grateful for this lady whose name they believe themselves unworthy of speaking. They know she loves them; they are grateful for her presence. They will never know that I.H.B blames herself for their plight. They are her grand-children, the children of a thousand former students. They will never know she thinks of them still.

20151123_111747_HDRI fell in love with my Nenenn’s grave-side neighbor, as soon as I read the inscription: “If you can read this, thank a teacher.” Even though I.H.B. is long gone, I knew I was in the presence of a hero. I am thankful someone like her lived in this world.  And if Susan Sontag was right, now that I’ve taken I.H.B.’s picture, we’re connected.

I am thankful.  I hope one day I will have touched half as many strangers’ lives as I.H.B. did. And still does.

What are you thankful for this Thanksgiving?

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“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.” Susan Sontag

Land of Upheaval

haitian voicesLand of Upheaval: A Literary Journey Through Haiti’s Modern History

Saturday, November 21 @ 12:30 pm

Sponsored by the Green Family Foundation.

After more than two centuries of political strife, successive coups d’état, authoritarian governments, international interventions, and natural disasters, President Duvalier’s pronouncement that “It is the destiny of the people of Haiti to suffer,” seems valid. Moderator Hector Duarte Jr. and Haitian authors M.J. Fievre, Fabienne Josaphat, and Katia D. Ulysse will discuss Haiti’s recent history, viewed through the prism of literature — from the days of Papa Doc Duvalier, to the tumultuous reign of President Aristide, to the earthquake that displaced more than 1.5 million people.

Every year, Miami brings into its heart hundreds of writers. The Book Fair International is one of the largest in the US. I hope you will be able to join us.

THe list of authors include Salman Rhusdie, Sandra Cisneros, Marlon James, Tananarive Due, Alexandra Fuller, Amy Tan, Cindy Crawford, Congressman John Lewis, Joyce Carol Oates, Rosie Perez. Get the full list here.

See you in a few days.

“Tell Them I’m Still Here” ~ Remembering 1/12/10

1-Hummingbird2 (1)-001“Mommy, Are These Real People?”

My daughter’s eyes were fixed on the red letters that flashed at the bottom of the TV screen: CNN.

I Can Live -- FranceskaI was glued to the couch, watching Andersen Cooper broadcasting the news from Haiti.

Here and again a reporter would put a microphone near someone’s mouth. The person—a Haitian—would say something in Kreyòl; a disembodied voice would give a creative translation that was nothing like what the person had said.

“No. No. That’s not what the person said.” I would shake my head. My mouth was dry. My eyes burned from not sleeping. I could not stop watching.  My daughter wanted to understand. She wanted to understand why I was suddenly so interested in the television—something I had banished to some corner of the house.

Ambulance

 

 

I agonized about allowing my little girl to watch the people wandering around Port-au-Prince with tragedy drawn on their faces like massive Ash-Wednesday crosses.

The blood and mud looked like old play-dough. I thought my daughter was far young to see these graphic images. I told myself she would have nightmares. Watching this horror would transform her. She is only five years old.

Five year-old children in Haiti are different; they’re older somehow. Surely there’s some type of math that would substantiate this, particularly when you factor in a 7.0 quake, 30 plus aftershocks, and the estimated number of casualties. The story developing in Mommy’s country now is a must-see. It’s an epic blockbuster.

Frank - 1I sat my daughter down next to me. She watched intently a pre-recorded news segment which showed dazed and dusty people wandering about aimlessly.  The bad thing had just happened.

There were no bandages to cover the scary playdough on survivors’ eyes, arms, legs. There were no shrouded human forms in the middle of the street—not yet. The heaps of half-dressed mannequins with muddy hair and missing limbs had yet to be piled in wheelbarrows and dump trucks.

The former Palais National photographed by kdu: March, 2010“Mommy, are those real people?” my daughter was confused, incapable suddenly of making a basic distinction. She blinked hard, adjusting her eyes.

“They are real people,” I explained. “They are real as you and I are.”

A man walked across the screen with a baby in his arms. The baby looked like an antique doll that had fallen off a shelf and lost a few parts.

“Is that little baby sick, Mommy?” my daughter wanted to know.

“Yes, the little baby is sick.” The truth would have to be rationed carefully– told in increments — over time.

“Tell Them I’m Still Here” words spoken by Maxo Simeon inspired a Short film by Katia D. Ulysse (Estimated release date, December, 2013)

“How can we help them? Do you think they need snacks? And juice boxes? Do you thing we can give them each a Happy Meal? And then they’ll be ok, right?”

“This will take a little more than snacks and juice boxes, honey. Not even a Happy Meal will fix this one.”

Katia D. Ulysse ~ February 12, 2010

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Leslie Sauray’s “Untitled”

As the ashes clear and we move away rubble
you see my people still standing, still running
even if we stumble.

We’ve been down worse roads
We have broken many chains
Shaky grounds have been around
Long before the earthquakes came

The after shocks are the souls
of those in the after life
trying to wake us all up
so we can continue to fight

The te. . . levision can’t show
the smell and the screams
So you only got a small picture
even on a big screen

1/28/10